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A reflection on equine friendships

One thing that’s come about during my now eighteen years with the same horse has been an awareness that yes, she has an emotional life.

As herd animals, horses will form attachments to other horses, other creatures, and humans. They are predominantly hard-wired to be social beings and find safety with others. But that doesn’t mean they won’t have opinions about other beings, whether they be other horses, other animals, or the humans around them. Sometimes those opinions mean that the horse only cares for certain beings, and would prefer to be alone rather than with beings they don’t prefer. Even other beings of the same species. In other cases, relationship bonds–sibling, dam and offspring, friends are so powerful that the horses remember each other even after a long separation.

It’s also true for horses and the humans in their lives. One truism I’ve heard passed around in training barns is that it takes a year after purchasing a horse to form a bond with it–from the horse’s side of things, that is. Horse and human have to negotiate all those little details of a relationship–what are the behavior boundaries between horse and human, what are the handling preferences of horse and human, and, most importantly–how responsive are horse and human to each other’s language, both verbal and non-verbal?

I think the latter piece–learning each other’s specific language–forms a large part of that “one year to create a bond” element. Unlike dogs or cats, horses are not particularly vocal. Oh, there’s the various nickers you get, but that’s just the tiniest bit of the communication process, and is shaped more by the tone of the nicker or human voice than actual words expressed. For example, the other day, one of the broodmares in the herd Mocha was running with was starting to get pushy–communicated by lowered head, flicked back (but not pinned) ears, and swishing tail as she approached me while Mocha was also coming. I snapped the mare’s name and Mocha–plus the others in the herd who knew that tone of voice from me–all froze. Mocha got a worried expression, even though it wasn’t her name, because she knew I wasn’t happy with someone.

Well, we got it worked out. Mocha got her medication and her treats, and the offending horse went away.

But that emotional piece and relating to other horses as well as humans plays a large factor in working out situations like this.

Mocha’s natural inclination when in a pasture is to be somewhat standoffish except for certain horses and only a few people. It’s odd, because when she was in the training barn where college classes were held, she was friendly to nearly every human who came in, prone to begging for treats until I got firm and said “no, treats only from me.” However, she had strong opinions about the other horses in the barn. Some horses–like her neighbor Adam–were very good friends. When she was on stall rest due to severe white line disease, the two of them tore a hole in the wall between their stalls so that they could touch noses. Other horses–like one brightly marked Paint gelding–were seriously disliked. The Paint gelding tended to bully other horses and would double-barrel kick some he disliked. Mocha ended up provoking him into chasing her, then evading him by ducking and weaving through other horses, or turning more sharply away from him than he could turn. I watched her do this in turnout, several times. She tends to be more agile than a lot of horses, even in her old age.

But it wasn’t only bully geldings she disliked at that stable. There was one mare who made a big deal out of Mocha getting treats. Well, this mare wasn’t exactly the best-behaved, either in the stall or the arena. Mocha’s ears would go back, then she would dramatically begin to lick her lips in a rather exaggerated fashion while the other mare made a fuss. If another horse was misbehaving in the arena, Mocha’s ears swept back every time she went by them. Once past the problem horse, the ears went forward. The behavior carried over to her current living situation, where if she sees a horse acting out, she frequently just refuses to look at them.

However, she is and was capable of fast friendships as well. There was one mare that she only saw at the same horse show, for three years in a row. The other horse’s owner and I were in many of the same classes, so we would wait together at the in gate and visit. The two mares took a liking to each other and would stand together quietly, sometimes lightly exchanging breath. When Mocha first moved to pasture life, she formed a very tight bond with one mare that was somewhat problematic at the time. Over the years of herd and pasture life, she went through bonds with weanlings (although after a few encounters, she reversed her attitude and is now “stay away from me, kid.”), other mares, and even one obnoxious connection with an elk yearling that joined the horse herd (and was rather problematic–trust me, you do NOT want your horse adopting an elk as her “baby”!). These days she has more relaxed friendships, though they’re enduring even though Mocha and her herd friends are frequently separated during the summer (the other mares may be raising a foal, or in a different field, or performing).

One close relationship she has developed during her summers, frequently spent alone in one field, is with a neighboring gelding. Last summer the spouse and I joked that it was a tale of “As the Pasture Turns” because there were times when one or the other horse would go into a snit fit where they wouldn’t respond to the other horse’s call. When the gelding would call Mocha when she was in one of those moods, she would utter a deep, groaning sigh that was clearly “again? He’s so NEEDY.” Then go back to licking the salt block or hanging around with me for scratches. Or she would call and call and he would just hang out in his shed or a spot of pasture where she could see him, but he wouldn’t answer her calls.

I rode her back to that summer pasture today. I had seen him earlier in the week when I was checking the fences to make sure they survived the winter (three feet plus snowdrifts can sometimes do things to a fence). About halfway up the hill to the gate where I would put her into the field, she started nickering, clearly remembering the presence of her gelding friend. Her friend answered. Back and forth calling between the two until I turned her loose. She galloped to the fence to meet him. Very shortly after, the two were grazing across the fence from each other, together once again for the summer. She hadn’t seen him since October.

So it will be “As the Pasture Turns” until October comes again, and she’s ready to rejoin her winter friends.

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Writing Accountability Post #19–Back to the Forest

Seasonal shifts come quickly. This year’s late spring has had several effects on things, including how quickly we get back into the forest to cut firewood–which, of course, also affects my productivity. Actually, we also had a family visit, which meant not only preparing but spending an actually glorious day in the woods, including getting some absolutely gorgeous shots. But I slipped out of the habit of doing my daily to-do list, which of course also impacted my overall productivity. Plus, getting back into shape for woodcutting–the first day was hot, which always slows both of us down. On the other hand, we’re sixty-five and seventy-one, so just being able to get out into the woods and cut up already-dead trees is a significant victory. Especially when the dang trees don’t cooperate, and fall so that hauling those chunks back to the pickup means a longer walk. In 80-degree temps. At elevation. Nonetheless, we survived. Next week’s firewood cutting will be during cooler temperatures, yay.

Federation Cowboy continues to be a struggle. Some of that is due to the brain throwing still more complexity into the works. I have to think through the implications of something that cropped up in this week’s writing, which means there will be a sequel, because a late character deserves to have her own story. However, it’s going to be complex. On the other hand, it’s the sort of story where thinking about it while in the woods would be just perfect. I’m hoping to wind it up this week, because drafting it has already taken longer than I want it to go.

Promotion has been meh. Seriously meh. I need to amp up my game again, perhaps by running those arrows and phrases slides. And I need to get that last pass of Netwalker Uprising completed so that I can upload it in paperback. Plus think through my 100% Human branding plan. That’s been another issue in productivity this week–just studying and thinking about all the AI stuff coming down.

In any case, it’s going to be a busy week. The horse has three major events coming up–a dental visit which was postponed because the clinic’s dental equipment needed repair, a farrier visit, and her move to summer pasture. That last will require a couple of steps–getting her salt block, checking fences, and cleaning out a water barrel. I want her to graze in a smaller corner pasture before letting her go into a bigger upper pasture. Otherwise, she doesn’t really graze it down like she should. But I need to check fences and gates there first.

All the same, I also need to get back to it on the writing front. April and May are both turning out to be sad, and I need to fix that.

Onward.

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Sometimes you don’t see the block until after you’re past it

It’s the season for lilacs, so have some lilacs again. My latest picking (recovered from DH’s pruning of low-lying branches) is not quite ready to bloom, so no pictures yet. I have hopes that they’ll blossom into something fragrant, gorgeous, and nice. Like…the writing.

I still can’t quite explain what happened in April. No sales through Draft2Digital, some sales on Ingram and Amazon. That’s not my usual state of affairs. It just felt like I was slogging through thick mud as I hacked through the words. Federation Cowboy seemed to be a never-ending slog and The Cost of Power hit a high point and then…blah. Nothing seemed to work. My gut was cranky and I just plain felt tired all the time.

Well, then there was the Covid booster #6 followed by the Nebula Conference. Suddenly, getting 2000 words down a day became easy again. I had to tear apart a chapter of Federation Cowboy several times, but after that? The story began to take life again. I just finished another chapter and hurray, hurray, I’m back on the outline and have 10-12k left to go.

But what’s even nicer?

Everything’s falling into place.

And I mean everything. I had been throwing in some breadcrumbs throughout the story–oh, I had a rough outline, I somewhat knew where I was going with the story, but there were some elements I threw in that I wasn’t sure about. However, considering that the issue of rella popped up out of the blue, and that I roughly knew the end, I had confidence that the breadcrumbs I was tossing in would come together.

Did they ever, in these last two chapters.

Two more chapters to go. I have a rough idea of where it’s going, but…it could still take a twist.

But even better–story is flowing.

That’s even better.

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Writing Accountability Post #18–When everything falls apart

So you may have noticed there wasn’t a writing accountability post last week.

That’s because life happens sometimes. I’d been fighting a low-level IBS flare that was somewhat slowing my thoughts down–and then I got my second bivalent booster. Everything was cruising along fine for the first twelve hours after the shot, maybe a little bit of fatigue. I worked the old mare in the arena, pleased to notice that she was doing really well with her pads and not going sore on me. Ah-ha! Possible solution to a problem that had been showing up for a while, where she would go gimpy on me in part of the arena footing. She seemed to be feeling pretty good about it, too, happy to be able to do some pattern work for a change without hurting.

I was just a little tired, and I was feeling cocky, like maybe my immune system was gonna behave this time.

WHAMMO.

It started with tooth-rattling chills, then puking. I wasn’t able to keep anything down more than cautious sips of water for twenty-four hours. Then the worst receded, leaving me with a nasty IBS flare and a huge amount of fatigue. I had to baby my body, being careful about what I ate. I read a little, hung out on social media–and that’s when I noticed that something else was wrong. I was making stupid typos. Not the usual typos (I know my typo tendencies very well) but phonemic typos as well as synonyms, and I was making a LOT of them.

Enough that I didn’t trust myself with any story. Short takes on social media? Yeah, although I took my time in writing responses, longer than I normally would do.

Things didn’t start improving on that front until about Wednesday, when I sat down with the most recent Federation Cowboy chapter. I hadn’t been happy with the way I synopsized events prior to getting the shot–far too much telling rather than showing. I ripped that chapter to pieces and reassembled it. It’s a crucial chapter at the 60K point, where things really get dire for my protagonists, so it had to flow right. It had to work correctly.

I got that completed and posted on Kindle Vella, then sat down and worked out the remaining three chapters (um, well, there were supposed to be two chapters after this one, but guess what. There’s three). I knew I had to do something because the Nebula Conference was coming up and I was attending online. I knew darn good and well I wasn’t going to have a lot of time and brain space available to do a lot of story drafting, so I wanted to keep the flow going for when I pick things up again tomorrow. I even got started on the next chapter. All well and good, and with any luck I can manage to get the story finished in the next couple of weeks.

The Nebs have given me plenty of food for thought, as well as many pages of notes. I changed things out this time and listened while skimming parts of social media–this time the process seemed to work. Some panels had more engagement and interest than others, and I have a list of more that I want to listen to over the next week or so because even with a hybrid convention, interesting panels get scheduled across from each other. One thing that seems to have been useful this time around has been the discussion of branding. During this morning’s panel, I ended up creating a branding statement (in the raw) that somewhat sums up what I write, across multiple genres. I also made notes about how my current work resonates with what other people are saying about their work, and other useful points.

Interestingly, unlike Worldcon but LIKE World Fantasy, there’s been some interesting and useful side conversations in the breakout rooms. That’s the hardest part to replicate in a hybrid or virtual convention–the casual interactions with other writers that end up being productive.

I’ll blog more about the Nebulas later on. But I have thoughts simmering about what is and isn’t working for me when it comes to accountability and productivity in the writing world, and I hope to be able to write about them over the next few weeks. For now, it’s time to put the headphones back on (and OMG do headphones ever make a difference for someone like me with ADHD when listening to a panel) and see what’s what for the remainder of the conference.

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Plodding along in the writer life

Today, I really needed to open up Wyoming Summer, Mary O’Hara’s somewhat fictional account of the real-life ranch in My Friend Flicka, to read this quote in a section where she discusses her latest story rejections. There are times when O’Hara’s creative struggles—with writing, with the piano compositions she also wrote—simply ring true. This snippet comes from a minor rant about how her idea of story differed from those of her era (in her case, she takes on Chekhov and the notion that stories needed to be slice-of-life vignettes).

Keep in mind that O’Hara, despite her apparent focus on horse books (I steadfastly maintain that the Flicka books are most definitely NOT children’s books, especially the last two where the difficulties in the McLaughlin marriage come to the fore), came to fiction writing from a rather storied history as a script doctor during the silent film era. Her autobiography Flicka’s Friend slightly touches on the challenges of that sort of compressed writing. At one point she jokes that she should write a memoir about the experience, titled Are You Available?

Alas, she never did create that memoir.

But given my low mood today, just glancing at those two pages was helpful. It’s been a rough day. My desktop was being cranky from the very beginning, and since it’s a fairly new iMac, this shouldn’t be happening. I think I’ve managed to defeat whatever it was that caused the issue, but all the same, wrestling with it and the printer as well took up a big chunk of the day. Add to that running into snags and snarls involved with trying to get my Covid bivalent booster (#2), a couple of places in town not having the supplies I needed (in one case selling an item I thought was being held for me to someone else), running into a buzz saw or two on social media, my hairbrush breaking, plus no book sales AGAIN, and, yeah. Today felt like marching through muddy slop up to my knees. Maybe even my waist.

Part of the challenge is, simply, finding my readers. Which was part of the social media blowup (that it happened while I was wrestling with the desktop and waiting for stuff to process while I tried everything I knew to fix it didn’t help). Folx from a certain platform are rather free about equating romance/romantic writing with porn, and I was told that I should be advertising my science fiction western romantic stories on porn sites rather than pollute their perfect social media platform with my promotions and story snippets. Which was almost word-for-word what was said to prominent romance writers by people from this site back in February.

Well. The degree to which that commenter revealed their lack of knowledge was laughable, but…it still led to a depressive mood that probably would have made that person rejoice. Because it is hard to promote the sort of story I write. I prefer to write within the speculative fiction genre, but many of the stories I write are not about gizmos and gadgets. I like to think about the impact of said gizmos and gadgets on relationships, often with those wrestling with them at a high management level. I also like to write such things in Pacific Northwest settings.

None of this makes me trendy and popular in current speculative fiction, whether in indie or traditional publications.

Taking out the speculative elements and marketing to upmarket or other non-speculative readers doesn’t appeal to me, either. I’m not a match for that market.

Thinking about these things does make me sad. It’s a melancholy that visits on a fairly regular basis. Ironically, reviews that say “oh this is something good and different” or “the best writer I’ve never heard of” just continue to pound the message home that I’m a niche writer.

It’s not so much about me, either. I’ve been working on a book that originated in a short story that I couldn’t manage to sell. I liked the story, not as much as others I had written, but enough to try to make it something that might just get read. The longer I work on it, the more I like the story and its characters. It’s far-future political space opera, with drug smugglers, assorted sentient species including a rabbit who’s a military intelligence guru, and pokes a little bit at the idea of defining sentience.

I’m almost at the end of the story. And now I wonder if it’s just another one that will be shoved aside by more traditional space opera stories, because there’s also a slow burn romance.

Part of my melancholy is also shaped by aging. I’m starting to hit a low energy wall because I just can’t do everything in a day that I used to be able to do even two years ago. I can’t write a blog post a day plus work plus draft 1000-2000 words a day like I could ten years ago.

I dunno. I’ve been at this game for a number of years, and don’t have much to show for it. No awards, just also-ran placements. Stories that have a handful of fans but…not a wide readership. There are times when I think I should have taken a different route—gone for the political pundit game, for example. Or buckled down to write more about special education (one of my pieces written for a monetized parent blog ended up being acknowledged by a professional association, after all). Or taken advantage of several friendships in order to promote myself.

But it’s never been the sort of work I’ve loved to write. A so-called friend years ago managed to distract me away from fiction into nonfiction, claiming my voice was better for that.

Yeah. Right. Along with a bunch of other people. And it still turns out to be stuff I really don’t want to write.

So what do I want to write?

I want to write those big, sweeping stories with Pacific Northwest-inspired settings. Matters of high drama with high stakes and characters that entice me into following their exploits. Old people, middle-aged people, and some young people.

Ah well. Probably time to sign off with this ramble. Things will be better tomorrow. But for today, I’m just not in the best of moods.

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Writing Accountability Post #17

Illustration of office

Ugh, another monthly accountability analysis day.

I suppose I should be easier on myself because I had a convention and travel to manage, and they didn’t happen during the same time period. But I was also wrestling with gut problems for part of the month. While I’m getting it under control, that still sucked up time and energy. I didn’t get much promotion done, and as a result I didn’t make much in the way of sales this month. Not my usual thing. But…this was also the month where a lot of the promo stuff I’ve been doing slowed down. My doing, primarily.

However, I did get the paperback edition of Becoming Solo posted. I am in the last part of Federation Cowboy (which was supposed to have been wrapped up in April). The Cost of Power has become a series and may be the one that wraps up the Martiniere Multiverse. I need to think on it some more, especially since I suddenly got a notion about Gabe not being the first Martiniere to find refuge in the Pacific Northwest. One of his ancestors, Etienne Martiniere, escaped the French Revolution by becoming a fur trapper, was at the Hudson’s Bay Company in Fort Vancouver for a while, and founded the Canadian-US Martiniere family branches.

Well, I’m on my way to getting somewhere with all this, I suppose. I’m becoming more and more fond of Federation Cowboy, because it’s really heading for some interesting elements. I’m about five thousand words out from the climactic confrontation, which means I’m on the slide down to resolution of this story. Will I write more in this world? Probably. One pair of characters, Blackburn (a military intelligence rabbit), and his interpreter, Laura Richardson, have appeared in a couple of other short stories. But at the moment, once the story ends…it’s on to other things.

May is going to be a month heavy on planning. And on promotion.

We’ll see how it all works out.

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Writing Accountability Post #16

Well, Indie Author Month has been a bust for me. I’m hoping this means that all the other indie authors are doing well, because it’s been my worst month for sales in 2023. I suppose it’s that I need to find further means of outreach, or that the people who bought things in January-March aren’t inspired to buy more of my books…which is a depressing concept. Either that, or the changes in social media have upset things once again. Which is always possible. But it’s one of those assessments which is totally depressing to consider.

Then again, I’ve slowed down on the social media promotion, which is probably a huge factor in the lack of sales. It took part of the week to clear up a problem with my gut. And then I needed to spend more time with family, and learn a social media site, and, and, and…

The simple fact is that production slowed down, both in putting together the paperbacks and in the actual writing. I really didn’t get that many words in this week, and can’t really explain it away by “well, I was doing promotion.”

I don’t know. April is not one of my favorite months, and it shows.

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Abdicating from the short story marketing dance

One thing that has changed in my writing process since the pandemic is that I find myself no longer willing/able/interested in writing short stories based on prompts. I think I sensed the rising issue with short stories even before the latest raft of attacks on the sustainability of magazine publication–the flooding from generative A.I.-written stories, Amazon discontinuing their magazine subscription service, and so on. Things were getting tight even before 2023, however. Back in 2020, however, I had a 50% ratio of stories I submitted that either had the magazine die while the story was under submission there, or else just–disappeared. At that point, I decided to suspend my short story submissions because with that 50% ratio, the time and energy spent finding markets just wasn’t worth the effort. I held out the option for responding to submission calls, but–at that point my focus was more on a rather ambitious self-published novel series that is still continuing in side spinoffs.

Time went by. I wrote some short stories for anthology calls, with limited success.

In the fall of 2022, I started sending stories out again. It worked well for a few months. Then I started seeing submission restrictions become more common and longer–requests to wait a week before sending in a new story after receiving an acceptance or rejection stretched out to a three-week period. Or a month. The strategy I had created in order to stay on top of submissions management got blown all to pieces, because it was based on being able to send work out once a week. With these new restraints, that meant a change to once a month.

But then there was the whole issue of writing to a prompt or a call. That’s an extreme form of writing-to-market, and rather limited because if you don’t sell to that particular prompt or call, then you have to put the story aside for a certain period time. Otherwise, you just join the flood of other writers who got rejected from that particular prompt or call and the editors know said story is a reject from that prompt or call.

I’ve had limited success in writing to prompt/writing to market. Most of my short stories sell ten years or so after they’re written. It was telling when I sat down to create a spreadsheet of previously published stories (as well as unpublished work) to group together as a potential collection. I ended up with enough material for several collections, in some cases requiring the writing of new stories to bolster what was already written. Dates of publication were also revealing, as was the number of stories sold per year. I’ve never sold a lot of short work, and, again, that ten-year interval between drafting and sale shows up multiple times.

The other thing is that I’ve never done well in writing a quick response/reaction to current events. I need to chew over something for a while before I can turn it into fiction without it becoming a diatribe or polemic. The stories I’ve drafted in such response tend to be didactic and not that good, and since I don’t care to read such response-type fiction, I obviously don’t want to write it (no shame to those who do this and can do it well–it’s not my yum and I have no desire to yuck someone’s yum). If I want to address a social issue, I somewhat want to do so as a subplot in a longer work rather than try to draft the type of thoughtful, mindful zinger of a short story that will resonate with the reader and linger in their thoughts.

Obviously, I’m not your person when it comes to writing-to-market. I flounder about when it comes to identifying the specific genre of my long-form works. I’ve finally settled on “science fiction western romantic” to describe the Martiniere books, because that comes the closest to making people understand what it is. Not romance necessarily, because I don’t hit all the tropes and points of a typical romance work. But romantic in the sense that relationships are involved in the works, and are part of the overall thought and consideration of things. And while I love the term “agripunk,” it’s just too confusing for too many readers and reviewers.

It’s too bad about the writing-to-market and the short story situation, really. Is my lack of interest/ability a reflection of aging on my part? Hard to say. I follow writers on social media who are capable of turning out those quick short stories in response to an event, a prompt, an incident. They’re able to turn them into stories quickly. Then I think about what I was doing in the days when I was turning out short stories in response to daily life and events. I was working full-time at a rather stressful job and had a lot going on. It was easier to focus on the short stories. Simpler to sketch out a response and draft it. I did not possess the attention span needed to create the worldbuilding and backstory for a decent novel during that era, so short stories were more doable then.

Does this mean I’ll stop writing short stories? Absolutely not. But from now on, my short stories will either be series worldbuilding stories (oh, I have a few of those sitting on my hard drive) or part of an interrelated collection of short stories that I self-publish. I plan to put out a collection this fall of my, for lack of a better term, fabulist short work that has already been published (with some unpublished works). At the same time, I plan to expand on my Teacher-of-Dragons short story world. I already have a second story in that world, and can do more to fill out a collection–in fact, I intend to draft Tales of the Raven Alliance as a Kindle Vella serial work, to be later released as an ebook and perhaps a paperback. As the rejections come back, I’m slotting those stories into specific future collections, depending on what type of story they are.

But I’m not getting back into the short story submission dance. That part of my writing life is done. I guess you can thank A.I. for that.

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Writing Accountability Post #15

This was not an impressive week for accomplishments, primarily because I haven’t been feeling well. My chronic IBS decided to go into a flare last week, and got worse this week. Which always happens this time of year. It’s somewhat of a rite of spring (no advice, please, I’ve been dealing with this for over forty-five years and either a.) have tried what you would suggest or b.) what you suggest doesn’t work for me). Improvement is happening, but because it eventually causes fatigue, it slows down everything. Including writing.

Add to that a virtual convention, with panels. I love doing conventions, virtual or in-person. In-person is off the table right now because of Covid risk and our high-risk status. So it’s virtual paneling, which essentially just takes the running around the convention piece out of the equation. Otherwise, it’s much the same when it comes to preparation, planning, and add in checking to ensure the tech works. Being “up” for the panels themselves.

On the other hand, I feel very good about this. Between social media chatter and paneling, plus notes, I have some ideas and new strategies to enact. Plus some possible idea sources for future panels/workshops to consider.

I am making progress, slowly but surely, on Federation Cowboy. I have more confidence in that story.

I also went back through The Cost of Power last night after a Flights of Foundry panel about the muddle in the middle, and realized that this story is more than one book. I need to think more about it, however, in order to do justice. I have three big concepts in this book. Mind control technology. Digital thought clones. Multiverse. I wasn’t planning to get into the multiverse aspect in this particular world, but…I think this world is the best one to explore some elements of it.

So. The Cost of Power is going to be its own Martiniere Multiverse subseries, just like A Different Life is, and the current WIP will have a different title when I publish it. And it’s entirely possible that those universes may intersect. I’ve been thinking about the third volume of A Different Life, which is going to be pretty dark. However, it may lead the Gabe of The Cost of Power into a different path, as a cautionary tale. We shall see.

Meanwhile, I need to develop the other work. Tales of the Raven Alliance, the Weird West with dragons story. Flesh out Goddess’s Vision.

And promotion. I’ve been lagging on that front, and I need to get back to it. Sigh.

So many things to do, so little time.

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Digital Thought Clones, AI, and…a new Martiniere Multiverse story!

So it started out like this:

 

I took one look at that Tweet and said, oh hell, here we go again with me calling out a trend before it happens. This is the sort of digital thought clone notion that I came up with in the Martiniere books.

Well, not quite exactly. The digital thought clone concept I conceived in The Heritage of Michael Martiniere, then expanded in Justine Fixes Everything: Reflections on Mortality as well as the ending of The Enduring Legacy was driven by Philip Martiniere’s desire (at least in one universe, because Legacy dragged a multiverse concept into that collection of related books) for immortality. Essentially, the concept was as Desai described above–the use of recorded data as well as digital records–with the addition of an AI algorithm that made the digital thought clone sentient with agency. It wasn’t the same as a digital personality upload (for that, see the Netwalk Sequence books), but I had started fiddling with the ideas in the Martinieres. Then I started thinking about what-ifs, other universes, and started considering the idea of a digital clone war across universes.

But I didn’t do that much with the notion back in 2021 and 2022 because both Heritage and Justine weren’t that popular, and I had other things–such as multiverses, where I could examine different aspects of the Ruby and Gabe story–to write. Plus non-Martiniere stories. Oh, I had considered the idea. I had even written a short story about digital clone wars that I submitted to an anthology, set between Heritage and Justine.

It didn’t sell, of course.

I kept poking at the notion, and decided to put it into The Cost of Power, the latest Martiniere serial on Substack (first chapter here), about a month ago. I was already writing a universe where Gabe and Philip reconcile, and while the twists and turns of the mind control technology plot were intriguing enough, by about 40k words I didn’t quite have enough juice in the plot to justify Philip’s rationale for mellowing toward Gabe. Even given that Philip knew that he had been manipulated by Walter Braun and the Braun family in an attempt to take down the Martiniere Group and the Martiniere Family.

Enter the digital clone wars. Where Gabe of the Legacy is facing off against an even more toxic and evil version of Philip, who killed Gabe in one universe. Where digital clone (digi) Philip is determined to eliminate the more positive versions of himself across the multiverse, as well as Gabe, Justine, and the other Martinieres who stand against him. Where the insidious mind control program of the Martinieres amplifies the effect of a malevolent digi with an agenda.

When I saw that Tweet yesterday, my immediate thought was to get this damn story up ASAP and see if it flies.

I have no idea yet how well it’s gonna do. Nonetheless, as the result of spotting a Tweet that had a number of reactions to it, I did some edits to the story, whipped up a quickie cover in Book Brush, slapped that story into Vellum for formatting, added an excerpt from The Cost of Power where bad boy digi Philip first makes his appearance, and here you are.

Digital Clone Wars…The Beginning is available for $2.99 at all ebook distributors. Links below.
DIGITAL CLONE WARS…

The sentient digital thought clones (digis) of Gabriel Martiniere and Ruby Barkley thought that they were the only ones of their kind remaining after they defeated the digis of Gabe’s toxic father Philip and his tool Lily, their doomed granddaughter, in The Heritage of Michael Martiniere.

Then they discover that something or someone is manipulating digis—including that of their son Brandon, whose data was destroyed after his death. And Lily may be redeemable.

Can Ruby and Gabe manage to save Lily and her father Brandon?

https://www.smashwords.com/books/view/1377466

https://books.apple.com/us/book/id6447542097

https://www.kobo.com/us/en/ebook/digital-clone-wars-the-beginning

https://www.barnesandnoble.com/w/digital-clone-warsthe-beginning-joyce-reynolds-ward/1143336208

https://www.amazon.com/dp/B0C22ZMLJ3

 

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