Category Archives: writer promo stuff

Dahlia is now live!

IMG_8621   So I’m doing something new this holiday season. I’m putting up a few short stories, novelettes, and novellas in the Netwalk Sequence for sale, as I get them finished and I’m able to get them loaded.

The short stories (and, hopefully, the novelettes and novellas) are going to be somewhat different from what I’ve put up before. Basically, I’m adding pictures that are somewhat related to the story, either by topic or location. It won’t be a perfect set of illustrations, because, since I’m taking them myself, I won’t be able to put people in those illustrations (well, maybe yet). So a short story that I wrote for the Plein Air Exhibition, Dahlia, is now live on Amazon for the Kindle here.

I’m billing it as primarily a romantic relationship story, because, well…that’s what it is. A complicated romance in a science fictional setting.

Other pieces I’ll be putting up soon include a sequel to Dahlia, Winter Shadows, which deals with further complications of the relationship between Will and Diana. That one will be a short story. I also plan to issue a novelette/novella about Diana and Will, Problems at the Andrews Ranch, which deals with one of the events which affects the early development of Diana and Will’s company, Do It Right. Then I’ll republish the complete and updated edition of The Daughters Cycle, including all three of the episodic, intertwined, stylistically experimental (for me) short stories I published this summer (Of Mothers and Daughters and Boyfriends; Of Daughters and Boyfriends and Mothers, Of Boyfriends and Mothers and Daughters). Andrews Ranch and Daughters may or may not have pictures included. We’ll see.

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Announcements, writer squee!

Various announcements here.

First of all, no Netwalk: Foundations this month, primarily due to website hijinks. Hijinks are now enroute to being remedied and we’ll have the last piece of the Daughters cycle for the first September posting, followed by some truly awesome vignettes. A peek into Sarah’s relationship with Francis Stewart just before the Gizmo discovery, and what Nik and Angela’s private life can really look like (Security in love, right?).

Second, Netwalk: Expanded Edition will be released either late this week or early next week.

And third–drum roll here, though most folks on Facebook have already read this….

I am now under contract to eTreasures Publishing for two completed works; my fantasy novel Pledges of Honor and my science fiction novella Seeking Shelter at the End of the World. Squee! They’ll first come out in ebook but if there are enough sales, there will be hard copies. I’m actually quite excited about this. Pledges is set in a world I’ve been developing for thirty years, and it has empathic horses that are grouchy, temperamental, green-broke and ripping stalls apart, heroic, protective, and so on. Let’s just say that if you get a mental image of buffalo dung from Mira, you’ve just been seriously dissed by a certain gray daranval mare.

Seeking Shelter first came into being in the early 90s, about the same time that I was working on early Netwalk ideas. The McGuffin in this story is the presence of genetically modified environmental modelers, known as Canaries, in a world where toxic clouds descend unpredictably and habitable space is getting short. I’ve not done a lot of development in this world, just one short story, until a few years ago when I wrote a novella, “Pink Cats Dancing at the End of the World,”  for some contest or another (for Samhain?) and it didn’t make the cut. The “Canaries” short story, meanwhile, had managed to win an Honorable Mention in Writers of the Future so I knew the concept had potential. I played with the story, revising and resending it. The novella I tucked aside, planning to send it to the right market when I had time to research novella markets. I sent “Pink Cats”  to a private editor this spring thinking I might self-publish the story. I’d retitled it “You Don’t Get Perfect at the End of the World” because the “Pink Cats” aspect wasn’t working.

Instead, I met the acquisitions editor for eTreasures at EPICon and ended up with her expressing interest in the story (I was at EPIC because the River anthology was up for an EPIC Award and I went with the editor).  She bought it, along with Pledges. But because Perfect was a little shorter than she wanted to publish, she asked if I had something to go with it.

I did–the “Canaries” story, which is set just before Perfect.

And so, we now have Seeking Shelter.

I am very happy about this.

But I also have more words to write, plus a horse post.

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Fun stuff–trailer for How Beer Saved the World

One of my intrepid co-authors in How Beer Saved the World has created a lovely trailer, found here.

Many thanks to Laurel Anne Hill for her lovely work.

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How Beer Saved the World is now live…

and available here.

My story “Beer Goes to War” is in this one….

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It’s official…Beer Goes to War

My short story, “Beer Goes to War,” is part of a forthcoming anthology, Beer Saves the World, from Sky Warrior Press.

Glad I can finally share this one…it was a fun story to write.

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NETWALKER UPRISING is now available in trade paperback

netwalk-uprising-cover-500

 

 

 

Whew!  The first piece of this publication is done!  Netwalker Uprising is now available in trade paperback through Createspace for $12.99.  We should have the e-book editions available soon but there’s been a wee challenge on that front…nonetheless, when it’s ready to roll, we’ll have Kindle, Nook, Google Play, and Smashwords availability as well.

Uprising should be available on Amazon proper in about ten days but if you’re hot to get it in trade paperback…it’s on Createspace now.

Whew.  Now the marketing begins.

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And so it begins…WIP excerpt

From one of the current WIPs:

“Ah.”  Alice Mary, Our Lady of Justice, Solace to Superheroes, licked her lips appreciatively after sipping her latest brew.  She held the clear glass high, studying the amber liquid carefully for any floaters.  Nothing.  “This should work for tonight’s Council.”  She took another, careful taste of this brew.  Sorrowfully, her own talents didn’t lend to fighting battles.  But at least she could brew up a beer that might ease the pain of her fellow superheroes after a long day’s fight against the Kraken’s forces.

 

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The Next Big Thing

Whew.  And now, after the Ranty McRantypants post, here’s my Next Big Thing.  I got tagged by Mary Victoria and–um–well, I think just about everyone else on my f-list has already been tagged.  So if you’re reading this and you haven’t been tagged, consider yourself to be tagged!

What is the working title of your next book?

Netwalker Uprising, which will (hopefully) be out in late December or early January.

Where did the idea come from for the book?

A followup to my Netwalk novel, part of The Netwalk Sequence.  I’ve been playing around with matriarchal dynasties for a while, so it’s matriarchal corporate future dynasties with cyberpunk and skiing.  And bioremediation geeks.

What genre does your book fall under?

Oh snap.  Let’s see.  SF action-adventure, or as I like to call it, ski bum neuropunk.

What actors would you choose to play the part of your characters in a movie rendition?

Dang, I don’t know.  Probably Scarlett Johansen for Melanie.  Maybe.  Gillian Andersen at the age she was when she played Scully in the early X-Files.  Meryl Streep for Sarah (in her The Devil Wears Prada bitch mode).  A younger Meryl or current Gillian Andersen for Diana.  For Marty?  There’s no clear image of a geekish Native American actor to play him, damn it, and that’s who I’d want.  Maybe Will Smith as a default.

Otherwise, I’d like the characters to be all unknowns, preferably ski bums who could act and are ready to move on from ski pr0n flicks.  I’d love it if one of the ski movie companies fell in love with Uprising and decided to try to make it.  I think they’d catch the right edginess of the work.

What is the one-sentence synopsis of your book?

In a post-apocalypse recovery future, how can Melanie Fielding find a way to protect her family and her business from virtual attacks by opponents from beyond the grave?

Will your book be self-published or represented by an agency?

It’s ski bum neuropunk featuring a strong female protagonist and her family interactions.  What do you think?  Seriously, it’s going to be self-published, out in e-book and POD.  Just working on the final edits with my editor now.

How long did it take you to write the first draft of the manuscript?

The initial manuscript was whipped out in a passionate writing flurry after I finally figured out how to kill my internal editor, back in 2006 or so.  I wrote Netwalk, Netwalking Mars, and then Netwalker Uprising in a six month blaze.  Out of sequence and by all the rules I shouldn’t have written anything but the first one, then tried to sell it.  Shrug.  The stories rode me hard.  Uprising got whipped out in two months, rewritten, then set aside while I tried to sell Netwalk.  After I self-published Netwalk last fall, I started the intensive Uprising rewrite.  Had a major revelation about the nature of the world which led to massive revisions (along with input from the editor that the middle of the book was significantly broken and needed fixing).  Still doing final tweaks now.  This is a world in development, and man, is it ever mutating.

What other books would you compare this story to within your genre?

Some of Elizabeth Bear’s work, some of K.W. Jeter’s work, and C.J. Cherryh’s Cyteen and Foreigner works.  Not all necessarily due to topic but to mood and pacing.

Who or what inspired you to write this book?

The initial idea came from a discussion with my husband about what it would be like to observe Hells Canyon through a hawk’s eyes.  I started imagining just what sort of implant interface that might take (this was long before GoPro cameras and I took the “through the hawk’s eyes” literally).  Subsequently, I started skiing and that really kicked off the story.  I stole the characters from an earlier noir novel I wrote and tried to sell in the 90s, A Madness in the Blood.  Some of the elements in Madness will come out at the very end of the Netwalk Sequence…as in, Sarah has a deep dark secret which has scarred her for her entire life and affected her in virtual life.  It takes her great-granddaughter to reconcile Sarah to that horrific secret.

What else about the book might pique the reader’s interest?

In Netwalker Uprising, I’m trying to integrate a degree of feminist consciousness with the conventions of sf thriller writing.  I want to show a strong female protagonist who also copes with the realities of family life.  Now she is rich, powerful, and privileged, so she has resources not available to ordinary people, but nonetheless…I wanted to have a strong woman protagonist who Has A Life, and really would like to get back to it, despite all the craziness that just seems to come her way.

Now…if you want to play and you haven’t yet…you’re tagged!

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WIP–Netwalker Uprising

Yeah, still at it.  And here’s a little snippet from today for your reading pleasure:

The rumble from the Gizmo guise grew louder.  It doubled in size.  The loose pieces of cloud from the Liam shape floated toward it and melded with the larger form.  It expanded, and she could feel the rumble pressing against her.  Sonics.  Melanie experimented with a small, clear tone.  Gizmo paused, then continued to grow.  Tone is good.  But can I project enough?

Alone, maybe not.  Marty and Cat to help?  But Marty and Cat were busy with the Liam guise.  If she called them and Ness back, they’d be fighting both.

Black cloud stung as it brushed against her hand.  <What we did in Charleston.  Those codes.>  Sarah’s subvocal voice was distant.  <Plus that tone.>

<You recorded those codes, didn’t you?>  But she couldn’t scold Sarah now, not when they would be useful.

<Not full codes.  You still need to say them.  And fast!>

If it worked, she wasn’t going to argue.

The Gizmo guise moved toward the hologlobe wall.  What the?  Melanie only had a brief moment to wonder before the guise blasted through the side of the hologlobe, shattering its integrity as if the barrier didn’t exist.  As the globe broke open, Bess started screaming.

<NOW!>  Sarah shrieked, her black cloud breaking into shards as Gizmo bore down on Brenda and Bess.

Body!  Somehow she managed to jump back into her body without getting disoriented despite the scattering effect of the broken hologlobe.  She couldn’t take time to check on the others, she had to protect Bess.  Melanie drew in a deep, sobbing breath and projected a strong, full high A note.  The extra fullness from having physical support gave the tone a deeper richness.

Sarah’s black cloud reformed, emitting a tone a half-step higher.  The Gizmo guise began to shimmer and fade.  But it continued to advance, even as Brenda rose and started to back away from it, raising a blaster.  Diana joined her, shakily raising a blaster as well.

Mom, Brenda don’t shoot!”  Melanie screamed.  “It won’t work!”  She raced to Brenda’s side, grabbing at the frontpack.  “Give her to me!  I’ve got to protect her!”

The Gizmo shape bore down on them.  Marty, back in body, turned from Liam and dove toward Gizmo.  Jagged green light flashed out from Gizmo, zapping Marty in the chest and slamming him back a few feet.

Stay back from it!  All of you!”  Somehow she and her mother and Brenda managed to wrestle the frontpack onto Melanie’s chest as Bess’s screams escalated into full-voiced baby hysteria.  God, she hoped Marty was all right.  “Sarah, god damn it, what the fuck is this now?”

<Codes and tones!  We’ve got to use codes and tones!>

Red and black dove toward Marty.  Ness cried out and stooped yet again, fiercely driving it back.  Cat knelt by Marty, fumbling with the trap door chip.

No.  Cat had to do this.  Gizmo.  She had to get Gizmo out of the way.  Then she could help Marty and Cat.  Melanie shook from the sonics emitting from Gizmo.  She sounded the high A note again, her voice quavering from the Gizmo vibrations.  Sarah’s black cloud formed around Melanie’s right hand.  Melanie lifted the hand high, letting the Sarah shape guide her movement.  Bess’s cries changed, resonating with Melanie’s high A.

Gizmo moved away from Melanie as Bess’s cries steadied into a constant high A.

<Sing the codes,>  Sarah directed.

<Let me blink them up.>  As the codes streamed across her visual overlays, Melanie articulated each one.  The Gizmo shape shrank as she chanted the codes in a high A monotone, fading into nothingness, its tremors the last thing to leave.  Melanie sank to her knees as her body stopped shaking.  God.  I’m exhausted.

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New stuff at the web page–Bibliography and thoughts about the evolution of a writing career

I finally bit the bullet this past week and started work on a bibliography page for the website.  It’s edifying and somewhat scary to look at a listing of one’s work and realize how much has (and hasn’t) been happening, especially in a writing career like mine which is punctuated by fits and starts.

Fact # 1: From 1992-1998, I wrote a lot of stuff.  Nonfiction stuff.  Most of it was unpaid, in little Portland political zines.  But I’d started writing things for a couple of paying markets except, unfortunately, in one case the editorial perspective changed and the market was no longer interested in a regular column about the Catholic internet.  And then life intervened, in a couple of different forms.  I started making money off the colored stone bead hobby and that started to suck up my serious marketing focus (when I wasn’t busy raising the son and dealing with the beginnings of the educational issues around his high functioning autism).

Jewelry went to pieces after 9/11 because my business was primarily mail-order and online.  Um.  Yeah.  And then, after that, I started intensifying a freelance clerical/bookkeeping business, then went to school to get a teaching certificate.

And all the stuff tied in with that.

Recent sales are primarily fiction, with the exception of four blog posts that, again, appear to have had some editorial changes going on (that combined with another bout of Real Life has put that aspect of writing on temporary hold).  It’s ironic that my first published piece of nonfiction was about my early adventures with the son in special education, dang near twenty years ago.  Gee, twenty years ago who’d have thunk that I’d now be a special ed teacher?

Going back and looking over what I wrote in that six year period, and now looking at what I’m doing now is eye-opening.  It reminds me that yes, I can produce good writing on a variety of subjects and that yes, I can write political stuff.  I’m thinking very hard about reprinting some of those early political articles in e-book form, because while some are dated, others most definitely are not.

Fascinating stuff.  All I need to add now are the Writers of the Future placements and the Anthology Builder contest placement.  And keep the dang thing updated.  I was in a panic because I thought I was going to have to key in all those articles from 1992-1998.  Well, fortunately, I had the document already together because at some point I thought it was a good idea.

Recordkeeping.  It’s not for sissies…and much better done when regularly updated.

Just another bit of writer blathering today.

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