Tag Archives: Netwalk Sequence

Dahlia is now live!

IMG_8621   So I’m doing something new this holiday season. I’m putting up a few short stories, novelettes, and novellas in the Netwalk Sequence for sale, as I get them finished and I’m able to get them loaded.

The short stories (and, hopefully, the novelettes and novellas) are going to be somewhat different from what I’ve put up before. Basically, I’m adding pictures that are somewhat related to the story, either by topic or location. It won’t be a perfect set of illustrations, because, since I’m taking them myself, I won’t be able to put people in those illustrations (well, maybe yet). So a short story that I wrote for the Plein Air Exhibition, Dahlia, is now live on Amazon for the Kindle here.

I’m billing it as primarily a romantic relationship story, because, well…that’s what it is. A complicated romance in a science fictional setting.

Other pieces I’ll be putting up soon include a sequel to Dahlia, Winter Shadows, which deals with further complications of the relationship between Will and Diana. That one will be a short story. I also plan to issue a novelette/novella about Diana and Will, Problems at the Andrews Ranch, which deals with one of the events which affects the early development of Diana and Will’s company, Do It Right. Then I’ll republish the complete and updated edition of The Daughters Cycle, including all three of the episodic, intertwined, stylistically experimental (for me) short stories I published this summer (Of Mothers and Daughters and Boyfriends; Of Daughters and Boyfriends and Mothers, Of Boyfriends and Mothers and Daughters). Andrews Ranch and Daughters may or may not have pictures included. We’ll see.

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The horses of the Netwalk Sequence

Horses? In a high-tech science fiction story?

Yeah.

Guess I’m in a horsey mood these days, post-horse show. Whatever the reason, last night I started thinking about a post on the horses in my Netwalk Sequence world, et voila! The concept came into being.

Granted, some folks are going to raise their brows at this. Horses in a neuropunk family saga? Horses as a part of a futuristic world where digital personalities upload and an unknown entity wreaks apocalyptic havoc on the world until restrained by an international coalition of corporate interests? You betcha. After all, it’s my world, my creation, and if I want flying cars, horses and skiing in it–yep, it’s going to happen. Besides, the horses function as a grounding purpose as well as being part of the identity of the Andrews-Stephens-Landreth-Fielding family, with heavy roots in Eastern Oregon ranching country to contrast with the timber barons on the other side of the family. I’ve not brought this in, but certainly the ranching background was a formative influence in a young Diana Andrews Landreth’s life and a factor in the development of the skills that made her a formidable bioremediation leader. The ranching background affected Diana’s mother, Sarah Stephens. Even though Sarah’s marriage to Dan Andrews didn’t last very long, horses were a much-loved part of Sarah’s few years on the Andrews Ranch. Diana made sure that her son and daughter, Andrew Landreth Stephens and Melanie Landreth Fielding had horse experience, though only Melanie really took to it.

And there’s more. Without further ado, here’s some of the horses of the Netwalk Sequence world.

Missy. Missy appears in my unpublished short story, “Alien Savvy,” about a sweet little buckskin cutting horse mare who saves her owner Hank Martin from alien attack by her ability to maneuver safely around aliens and lock into herding behavior which scares the aliens off. The Martins are neighbors of the Andrews Ranch, and the deal that Pete Andrews strikes with Hank Martin to get him back on his feet after the devastation on his cattle herd caused by alien attack leads to the foundation of the famous Andrews Ranch strain of cutting and reining horses. “Alien Savvy” hasn’t sold and probably won’t sell to a traditional sf market because of the horse and alien factor. It is very early in the Netwalk Sequence, and maybe I’ll just self-pub it as a Netwalk Foundations piece (do NOT get me started on my perception of editorial short story biases about horses in the sf genre, okay?).

Mocha. Yes, this is my sweet little Mocha in several different guises. Missy’s great-granddaughter Mocha put the Andrews Ranch on the performance horse map with her cutting ability. Diana rode a Mocha daughter to several championships when she was a girl in her late teens and early twenties; one of the few things that both Dan Andrews and Sarah Stephens agreed upon with regard to their daughter during this time was their pride in Diana’s horse show accomplishments. Melanie rides a Mocha granddaughter, also named Mocha, during her flight in Netwalk: Expanded Edition, and Mocha also makes a social appearance in Netwalker Uprising.

Kokanee. A little dark bay mare that is the original Mocha’s descendant and a daughter of Diana’s championship mare. She’s a low-key presence in the upcoming Problems at the Andrews Ranch, and Diana gets righteously angry at her estranged father-in-law for wanting to buy her. Kokanee is Diana’s hope for continuing her father’s breeding program, even as she also struggles to build Do It Right as a viable international bioremediation technology company. One of her foals sires Melanie’s Mocha.

Charlie. Fiesty and grumpy Appaloosa ranch gelding who is Dan Andrews’s last mount. Charlie never did have the temperament to go to shows but he could go miles on a daily ride and had a comfortable amble gait that was easy to sit–perfect for an older rancher. But he had enough spark to pretend to be a bronc when first saddled up on a cold morning. It was all bluff and play, though. Dan never let it become more than that, and he enjoyed Charlie’s antics up until his last rides.

Griffen. Rental Appaloosa that Diana rides in Problems at the Andrews Ranch, when she goes to meet Nez Perce land acquisition negotiator Joaquin Ridge, a former boyfriend and old high school buddy.

There are other horses I’ve not put a name to yet. Bess, Melanie’s daughter, doesn’t take to horses in the same degree that Melanie does, and yet she finds peace in interacting with horses. Alex Jeffreys really takes to horses and he rides a black silver dapple Rocky Mountain gelding. Alex and Bess find uses for miniature horses in space settings, and develop a strain that–well, let’s wait and see where that goes, shall we? That part still needs development.

Needless to say, the equine element of the Netwalk Sequence is an understated but very real presence.

Hey, it wouldn’t be my world if I didn’t have horses in it, now, would it?

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Plein Air 2 and 3

Things got busy last week with the start of school, plus roofers and medical and vet stuff, oh my. So I never did wrap up my Plein Air posts, and then last night was the reading.

So. Day two was at a gorgeous private residence near Parkdale. As I showed up, I found two horses grazing on the front lawn. Drool. Drool. This place also had a lovely, lovely arena set up not just for work but with a rudimentary kitchen clearly designed for small horse shows/clinics/parties. There was also one gentlemanly equine retiree who, after grazing on the lawn and crunching windfall apples, had decided he’d had enough and ambled over to his free choice hay pile by the arena.

I wrote one piece there, “The Stone Bowl,” a short from my Rust and Flame world and the probable climax of the Rust and Flame book I want to write someday. It’ll come out in October as part of the Plein Air anthology.

Then I went to downtown Hood River and spent several hours there wandering around, seeking inspiration. And lo, it came–and I wrote a little short piece about vampire hunters on vacation, “Masks,” which will also come out as part of the Plein Air anthology. “Masks” will get significantly reworked for an upcoming anthology call as well.

Last night was the public reading of works we’d written during the Plein Air sessions. We heard excellent stories, essays, and poems. I read “The Dahlia,” which will be out in an extended form as part of the Netwalk Foundations sequence in October, and “Masks.”

Picture (taken by my lovely husband):

IMG_8883

And now to finishing off that damned novella. I have books to write.

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Netwalk Sequence and environmentalism

It’s not always that I run into articles that summarize the foundation of the environmental politics behind the Netwalk Sequence so neatly, but this nails it in a nutshell.

One of the original triggers behind the horror novel that was the foundation of the Netwalk Sequence were the very real-life experiences I observed on the periphery of the environmental movement in the Reagan years. Naomi Klein’s observations about the tensions between the elite and the leadership of conservation/environmental groups are spot on. I saw this stuff growing and developing when I was doing a lot of research with a dear friend who was also politically active. She lived way out in Northeastern Oregon and didn’t have the information accesses I did, back in the pre-Internet era when if you couldn’t physically handle the information, you didn’t have it. I spent a lot of time in the local library’s business section looking up business stats, and tracking down interlocking corporate ownerships.

But I also heard stuff from my grunt-level positions in the Democratic Party. And what I heard, and what I saw, caused me to start writing a twisted little story about an environmental activist whose ill-fated romance with a timber baron’s son ends up destroying everything she ever thought or believed about her life. Kind of a romantic turn on some of the real-life co-optation I was seeing. No one would believe the real stories.

Sarah does get her own back. She is genuinely concerned and worried about the environment, and riding through the early rocky days of the explosion of climate change plus her status as a Stephens heir leads to the conditions which transform Stephens Timber into Stephens Reclamation. So far, I haven’t felt the need to write that story as part of the Sequence.

Maybe I’ll do it after I write Netwalking Space. We’ll see.

Nonetheless, go and read that Naomi Klein article. Like I said, it reflects a lot of my own observations.

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Tap-tap, tap-tap. Anyone there?

Well, yeah, the WordPress site had problems. Long story short, for various reasons including cost, I’ve switched hosts and we’ll see how this does for crossposting to DW and LJ. I still had LiveJournal access and put up a few posts there, but it wasn’t what really worked well. I’m debating about posting the last “Daughters” story this month or waiting until next month and calling August a draw. But that will give me some breathing space on Netwalk: Foundations stories because I’ve just about got enough ahead to last for the rest of the year.

There’s a lot of other stuff going on writing-wise, but I can’t talk much about it yet–some of this is contractual, other parts are in very early development stages. If I can pull this all together, then let’s just say that Good Stuff Is Happening. And…cover squee!

netwalk-ee-cover   Yes, Netwalk: The Expanded Edition will be going live soon!

Besides an updated Netwalk (to include the Gizmo additions), I’ve reprinted two previously published Netwalk Sequence short stories (“The Ties That Bind” from Random Realities and “Cold Dish” from M-BRANE SF 9as well as added two more short vignettes tied into the first two chapters of Netwalk in this expanded edition. As I’ve said before, this is the only time I plan to do this significant a rewrite and reissue of something already published, and the main reason I’m doing it is to insert some major series material that I developed in the second book.

Netwalk Expanded will also be available in trade paperback through Createspace. It was only available in ebook format before. I do plan to have all of the main Netwalk Sequence novels available in both ebook and trade paper from now on, but any novellas or short stories will be in ebook format only, though I will probably do some collections later on.

One project I can talk about is that I do plan to print a collected edition of some Netwalk: Foundations pieces in ebook format this fall. I plan to issue a collected version of The Daughters Cycle and a serialized Foundations piece, Problems at the Andrews Ranch for late fall Christmas sale.

Meanwhile, in other areas, I’ve finished my summer classes and am now getting ready for the school year.

Mocha is doing well, though we discovered a training hole that I’ll be writing about later (going downhill with a rider). The problem-solving around that is interesting. I’ve finally found the right stuff to treat her hooves with, and she’s showing much improvement. We’re gearing up for a show in late September, if everyone stays healthy and sound….

On that front, I bashed my foot pretty badly last week on a bedpost. It was a L-brace that I whacked between my fourth toe and my big toe. The picture is on Facebook, I won’t subject folks to it but suffice to say the colors were interesting. I don’t think it’s broken but now that the swelling’s gone down, there’s definitely been a significant strain to my tendons and ligaments. I’ve whipped out the Vetwrap (I wish, it’s actually the boring taupe human version. I’m planning a tack store visit for something cheaper and more colorful tomorrow) to bind it for support. Otherwise the tendons/ligaments ache worse. With school starting up next week, I’ve got to be able to walk soundly so I don’t bung up my hips. Again.

Growing old ain’t for sissies, but it sure beats the alternative. 😉

We’re at the stage of summer now where evening cooldowns are more likely. Cricket summer. My favorite part of the season.

Anyway, onward to working on stuff. Let’s see how this baby posts.

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On revising previously published work

Generally, much as I wince when I see bits and pieces of errors and mistakes in my previously published work, I don’t consider revising and republishing it, for several reasons. First of all, the story I sold was the story the editor wanted to buy. Changing the story would mean changing the collaborative work which is the combined effort of my vision and the editor’s vision and, so far, I’ve had the great good fortune not to have editors who’ve mangled my work. So far. For better or worse, if I’ve sold a story or a novel to someone else to publish, I’m inclined to let it stand (I will probably feel different when I finally encounter the circumstance of having my work butchered. Like I said, I’ve been fortunate. So far).

But self-publication allows the fatal fallacy of re-editing one’s own work. Again, I don’t generally support revising previously published work because it is, after all, the product of its time. Additionally, since I’ve sold this work to buyers, really, in good faith it would require a significant change in the world I’ve created to justify a revision of previously published work.

So why did I just spend several days revising and preparing the copy for what is going to be the revised Netwalk, otherwise known as Netwalk: The Expanded Edition?

One word.

Gizmo.

Or, rather, the creation of the object known as Gizmo, which hadn’t happened when I wrote Netwalk. I created the Gizmo about halfway through my editorial rewrite of Netwalker Uprising, when my editor told me “something more is needed.” I thought on it, and, ergo. Gizmo was born, and with it, a missing major driver for the Netwalk Sequence came into being.

Except–oops. There was an entire novel in the Sequence which did not take Gizmo into account, and Melanie being Melanie, if she hadn’t run into Gizmo before then, she would have done so during the events of Netwalk.

Oops. Big oops.

At first I hadn’t planned to rewrite Netwalk as a result of Gizmo’s creation. Yes, there were glitches in the ebook version. Small formatting pieces that I wanted to fix. But I thought about the tweaks I’d have to make in Netwalk to bring in Gizmo, and my head started hurting with a side dish of minor panic attacks as I contemplated what could be a huge effort. My editor recommended that I didn’t sweat it because the nature of the conflict in Netwalk was such that the absence of Gizmo wasn’t that big a deal.

And then the son and I talked about putting out a hard copy Createspace edition of Netwalk. He recommended (based on his experience in the gaming world) that if I were to go with a second edition, I should not only include Gizmo references in the revised Netwalk but add new material to make it worth the changes and add value. I thought about it, but quailed at the thought of the Gizmo rewrites.

Well. It’s pretty much done. Surprisingly, the work wasn’t as hard as I thought it would be. When I went back and looked at the Netwalk MS, there were holes where I spent more time flailing around trying to up the ante and didn’t quite make it work. It seems like my subconscious writing brain was already devising a Gizmo-like device, only my prefrontal cortex hadn’t gotten the message yet. When all was said and done, the additions were maybe about 1000-1500 words. 2000 max. And, in the process, I fixed the formatting glitches that had been bugging me, smoothed out some rough spots in the language, and introduced a bit more nuance in the characters of Sarah and Andrew, nuances which arose in Uprising.

I don’t anticipate doing the same for Uprising. For one thing, Uprising is post-Gizmo. I don’t necessarily foresee the need to create another significant canon change which would require such a drastic rewrite. Nor do I want to create the habit of doing such a thing when working independently. However, Gizmo was such a major change in the game that I finally decided that Netwalk: The Expanded Edition needed to happen. Additionally, I’ve put some effort into creating a series bible which, while not perfect, will hopefully keep me going with a certain degree of consistency from now on out. Though the Netwalk: Foundations pieces blur the edges as I explore my characters even further. That said, another wise writer and editor reminded me that Marion Zimmer Bradley always held that consistency glitches in her Darkover series were things that needed to happen for the integrity of the story.

I already have several notations where the Foundations stories deviate from the main canon of the Netwalk Sequence. At some point in the future (probably when I’ve completed the next three novels which will make up the main body of the Sequence), I’ll publish those notes for completeists but I’m not going to knock myself out trying to reconcile Foundations worldbuilding noodling with published work. Netwalk: The Expanded Edition will be the most significant and only full revision of previously published work in the Sequence. Period.

So what additional material will be in the EE besides the Gizmo updates?

First of all, I plan to republish two previously published stories in the Sequence, exactly as they were originally published. For the record, those two stories are “The Ties That Bind” (Random Realities # 3, Summer 1993) and “Cold Dish,” (M-BRANE SF 9, October 1, 2009). In addition there will be two new short snippets to go with these two stories, “Some Words,” and “To Walk Toward Your Doom.” All four of these pieces happen either just before or simultaneously with the early part of Netwalk. “Ties” and “Cold Dish” are pre-Gizmo and to some extent pre-date a lot of my later thinking about Netwalk processes. Nonetheless, both stories will be reprinted exactly as they were originally published, with no revisions.

I also plan to insert a foreword talking about the changes in vision that happened between the publication of Netwalk and Netwalker Uprising.

Projected publication date is late August. Stay tuned for more information.

And once I’m done with this (and a few more Foundations pieces, to carry me through the first months of Ye Olde Day Jobbe resumption in September as well as help me create some more pieces of crucial backstory), it’s off to write Netwalk’s Children. I’ve not done the formal plotting for Children yet, but I’ve been thinking hard about both it and the book to follow, Netwalking Space.

Are we having fun yet? I sure am.

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Another day in the land of damp and cool-horse and writing and stuff

Classic Western Oregon June summer day–rain, partially cloudy, and 60s. Sooner or later we’ll get warm here, but this is a pattern I’m well familiar with. Still would like to see it go away before Blues Festival, though.

It was a busy day, but I got stuff done. House doesn’t look like it, but I actually was rather productive. Got a car to the garage, wrote about 1300 words, rode horse, made taco salad, cooked asparagus and prepped strawberries and blueberries. After this post I’ll probably work on mucking out the office and getting ready for my Friday-Saturday class, as well as getting ready to start on my online classes. Busy summer.

Actually, this morning, after dropping the car off to the garage, I hiked through part of the old neighborhood and settled in at the local Starbucks to sip some tea and write. I had to wrestle with my phone, but I now have a lovely transit app which lets me check when buses are due. Go me! It took some fussing because the TriMet page on my phone’s browser kept wanting to do something with Facebook, but I finally beat everything into shape. And now I can haz transit tracker (very useful in the land of PDX and for the rest of the summer!).

After writing for about thirty minutes, I packed up, caught the bus, and headed home. Futzed around doing stuff for a half-hour, then headed to the barn whereupon Miss Mocha felt very put-upon to get ridden TWO DAYS IN A ROW, OH NOES. Then she realized we were doing the bareback pad, which perked her right up. This summer I’m riding her in bareback pad and snaffle instead of the sidepull. Darn sidepull is molded up and desperately needs cleaning before it gets used again. Plus then I have to pull the reins off of the Pelham to make it work. Meh.

We had a nice little walk-trot work, with bending and flexing and circles and loops and patterns and all sorts of stuff. I also worked on extending and shortening in the trot. She does it reasonably well in walk and canter, but trot is where she can get really stubborn and bullish. So we’re spending summer schooling working on that bit. No particular reason for her to do it bareback, that part is mostly for me. This time around I didn’t notice as much of a tendency to slump, and we did a lot more trot work, even working on extensions with me sitting instead of posting.

At the end, Mocha lined out in her huge walk, swinging through her shoulders and back. That’s a really fun walk to ride. She prefers to do it on a long rein with a low head, and man, can she power walk with a low head. Ain’t no peanut roller with this girl and a low head–that’s her moving out gear at the walk, and she shows it well.

She’s also much shinier than she was last year. I don’t know, her coat seemed not quite right most of the year last year, at least until I shaved her for the winter. This year she’s sleek and shiny. Of course, I’ve spent a lot of time at the barn the past two weeks and brushing her. I’m trying to get out there at least four times a week, if not five. The added attention shows, and I feel good about it.

Then after coming home and doing the food preparation stuff, I set up a chair on the front porch, pulled on a sweater, and took the laptop out front to write. I started this story, “Bearing Witness,” back in January, then broke off to write “Beer Goes to War,” another story that didn’t sell, and the Uprising edits. Then I got into writing the Netwalk: Foundations giveaways and that’s been a wee bit of a time suck (especially with a story that’s blowing into novelette size). Then there’s been more edits and stuff, so I’ve not gotten back to “Witness” until now.

As always, the added time seems to have helped. But the damn thing seems to want to become a novel, or at least a novella. Ah well, it’s steampunkish or Weird Westish or something. There’s probably a market for it somewhere. I think it’s my summer noodling-about-I-need-a-break-from-Netwalk project.

I think I’m going to spend more time writing outside on the front porch. I did some work on our friend’s porch last Sunday and that was just right. I worked outside today until I came to a stopping place and my fingers got cold.

And now it’s on to doing some housework. I’d like to get some parts of the place in order before I start taking classes!

Onward.

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Netwalk Foundations Monday!

It’s the first Monday of June, which means….yep, another Foundations Monday!

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So just what does Sarah the Netwalker experience when she blows up and has to be exiled to virtual space? This is a rare look inside the thought processes of the most dangerous Netwalker who exists in the Sequence. Sarah, ultimately the mastermind and inspiration for Netwalk.

But all is not peaches and cream in Sarah’s world. And once she ends up in the White Room–there’s trouble. Go here for a free download of the latest addition to the Netwalk Foundations series!

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Announcing Netwalk Foundations

cover-kathy-millerI’ve been a bit of a slacker this week and not gotten the info out on Netwalk Foundations.

Basically, twice a month (first and third Mondays), I’ll be putting up a freebie short piece connected to The Netwalk Sequence on my web page. Some of these pieces will be brief character sketches, some will be worldbuilding stories tied into the Sequence in different ways. Some of this material is original writing from the early 1990s, just updated to reflect the current worldbuilding process, and some of it will be brand new.

Kathy Miller is the rewrite of a worldbuilding story from the 90s. I’ve updated it to reflect current continuity. I won’t do that with every piece I put up, but this one needed some revision.

Foundations has its own tab on my webpage toolbar, and each story will have its own page. Go here to read Kathy’s story–available in Kindle, epub and PDF versions!

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Conquering the ski boot issue and writing process stuff

I think I’m finally getting this boot thing back under control. It’s been freaking annoying, really, because I’ve spent this ski season fighting my boots, my goggles, um, what haven’t I been fighting? Oh, yeah, the skis.

Anyway. After crashing in a stupid spot last Sunday, I went boot shopping and ended up with a pair of high level boots at a major, major discount (Dalbello Electras, for those who want to know). They’re as stiff as stone, but I feel the fit adjusting with each turn I take in them…and as I get used to these little darlings, I grow to like them even more. I’ve had three days on them now and today, they finally started softening up. Of course, I’ve been sticking them on boot warmers before I put them on, which I think is also helping…but learning how to best buckle these boots has also been a help. My feet are reluctantly relearning the proper ski form after being able to caper as they please in the other boots. They’ll still need a few more days to reset the bad habits, but…given that we had a huge dump of very nice, crispy snow up on Hood, and that I’m mostly through a lot of my extra paperwork sessions at work…I think I can work in a few ski days before work.

No Palmer this year, though. Not in condition for it, still working through the hip and leg issues as well as the boots.

It was a lovely snowy spring day, as well. Spring snowstorms can be cold and crispy but not as cold as winter–or they can be icy and sloppy and wet. This was a cold and crispy day, which produced nice fresh powder, lighter than our usual stuff. DH and I did three turns on the Jeff Flood runs before bagging out and heading for Norman. Flood was getting hit heavily and chopped up. Norman, on the other hand, was less popular (most folks riding that lift head for the terrain parks, not the run) so it was pretty nice skiing. We got four runs in on Norman, then got our sack lunch and ate in the lodge.

Then we did errands on our way home, chores, and then I finally got into writing. It’s been a while since I’ve been using the laptop instead of the desktop to write, so I pulled the laptop out and sprawled in bed. That ended up being a pretty good place to work so I got a major chunk of my rewrite started. Problem is, this was supposed to be a light edit before we put it up as the first freebie in the Netwalk: Foundations series. It’s a story I wrote sometime around 2000, before I really even knew much about Netwalk, about Kathy Miller. What I wanted to do was throw it out there to show a little bit of writer worldbuilding in process (which is what the Foundations series is going to be about; putting up bits and pieces of the world as I write sketches and stories to share how things fit together).

Four days after I first started, it’s turning into a major rewrite. Some of that is due to changes in the worldbuilding since the story was originally written. After all, I’ve had thirteen years to think about it, off and on. And yet the bones of the Netwalk Sequence are in it, as solid now as they were then.

But it’s not really a commercial story, it’s a worldbuilding story. Ergo, I’m figuring out some character development that will become important in the next piece of the Sequence (family interactions, family interactions, a big chunk of the Sequence rests on the conception that these people form a dynasty based on some significant dysfunctional elements…plus space! Family dysfunction in Spaaaaace!. Just not space quite yet. Getting there).

That said, I’m trying to make it entertaining infodump.

More later as it develops. For now, happy ski girl needs to go crash…to rest up for what looks to be a very busy week.

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