Tag Archives: writer life

Starting a series of writing process blogs, or, adventures of a hybrid writer

One of the resolutions I made for myself after this past week at the Fishtrap Summer Gathering was to start working on a series of writing process blogs. This got inspired by a gathering organized by Kim Stafford the next-to-the-last day of the conference where we were to bring books that inspired us as writers. I went looking for some of my writing books and rediscovered Jay Lake’s Process of Writing: 2005-2010. As I thumbed through the book, I remembered how much I enjoyed reading Jay’s writing blogs–but I also realized that the earliest blog posts were written when Jay was at a similar place in his career as I am now.

The thing is, though, Jay wasn’t setting out to establish himself as a writing expert. He was analyzing and recording his growth and process as a writer. Because of the type of Day Jobbe work Jay did, that involved a lot of metrics. Word count. Time it took for him to turn out a book from first draft to publication, broken down into each step. Other analyses using data and stats to look at how he was progressing as a writer.

But that wasn’t all. Jay talked about voice, about rewriting, about looking at his overall writing process. He discussed themes and how political issues impacted his writing. If you’ve read any of Jay’s works, you realize that he was a very literary, slipstream speculative fiction writer who was just coming into his own when cancer took him. Jay wasn’t just a writing machine; he was a mindful writer seeking to improve his work’s quality as well as the quantity of his production.

(and right now why am I hearing Jay’s voice saying “Joyce, stop canonizing me!“? Gotcha, Jay)

In any case, I realized that one way to revive this blog posting habit of mine as well as perhaps help myself and maybe some other writers is to commit myself to writing a regular analysis and commentary about the process of writing. I am no Jay Lake. I know that. I aspire to high levels, but instead of soaring with the eagles, I’m pecking around on the ground with the finch fledglings (like the hordes that have descended upon our bird feeders). But I deal with some situations that may be unique to me–or not. I change locations pretty regularly, splitting my time between three places. I appear to be plodding along acquiring more readers over the past year and a half. I occasionally sell a short story. I’m trying to get the rights back to a cozy apocalyptic novella that I want to expand and self-publish. I’m preparing to edit my first anthology (I hope…haven’t seen any submissions yet, and it’s a closed group).

I also want to take my self-publishing to the next level, with a completed science fiction series and a fantasy series in progress. At the same time, I am working on an urban fantasy novel that I hope will be saleable to a mid-level small press publisher. I’m getting ready to shift gears to some Western-themed fantasy and science fiction work.

But most of all, I want to increase my accountability–and if doing that means I have to write about my writing at least twice a month, then that’s what I will do. It’s likely that I’ll have a flurry of posts in the next month or so, because I want to write about the lessons I learned at Fishtrap. Mood management. Marketing thoughts. With any luck, that’ll be enough to prime the pump and keep me going.

And oh yeah. Feel free to ask me questions. That’s good for both me and the asker of questions.

Onward.

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Writing short vs long

One thing I’ve really noticed about my writing process this year is the difference between writing short and writing long. When I write a short story, it seems as if it’s a struggle to wrest 500-1000 words out of my brain and onto the page. I end up making a lot of erasures, eliminate pieces, and often can’t see my way through to the end of the story in one sitting.

On the other hand, when I’m working on a novel, I can easily go through 1000-2000 words a day. Right now my current goal is to get 2000 words down on one novel, 1000 words on a second one. If I have several hours to work, it’s doable. When I’m working on a novel, it’s usually in 700-1000 word scene chunks and it just seems to unfold much more easily.

In part this is because my natural writing length is that of a novelist. Many of my short stories start out reading like the first chapter of a novel and need a LOT of pruning to eliminate that aspect of the story. I like complex plots with lots of twists and turns, but…you can’t do a lot of that in a short story (note the phrasing there; short story complexity often is not plot-driven but theme and character-driven).

Additionally, the novel can sprawl while every word in a short story has a purpose–sometimes even multiple purposes.

This year I’ve written four short pieces and am working on a novel. Of those shorts, one is a 6k word self-published short (Inconvenient Truths) tied into my Netwalk Sequence world and coming out on July 4th. Truths was intended to be a submission for one of the many new anthologies out there reacting to Donald Trump’s election. It didn’t fit (well, I thought it did, but I’m not the editors) and, since it was a Netwalk Sequence story, I decided that it could go out on its own.

(We won’t talk about why I’m finding it extremely difficult to write political fiction without placing it in the Netwalk Sequence world and evoking Sarah Stephens. Let’s just say that it’s my head thing and leave it. I could write several–many–political stories, but that would be violating the trust of people I know. The perils of being an ex-activist….)

Needless to say, I hadn’t really planned for Truths to happen, though it illustrates a crucial turning point in the Netwalk universe.

Another story, Exile’s Honor, is a Goddess’s Honor novelette that was somewhat planned for, and lays a foundation for elements within the current Goddess’s Honor novel, Challenges of Honor. I tend to use short stories as means to explore the series I’m writing, and Exile looked at an important development in Goddess’s Honor.

But then there are the other stories. Both are somewhat solicited, in that they’re aimed at anthologies that I was invited to participate in. One’s somewhat goofy and not at all political; the other has political elements but doesn’t move into territory that makes me want to revert to the Netwalk Sequence. Still, I agonized over both of them, and the goofy story requires more attention from me before I send it out. 500 words a day was the best I could do on either story.

Ironically, when it comes to publishing, short stories fill most of my traditional credits. Part of that reality is market-driven. Even in today’s tight publishing market, there are still more options to sell short stories to a legitimate publisher than there are novels. That’s just the way things work. The shorts may not earn me a lot of money, but they do earn something, which is what the novels (except for Pledges of Honor) don’t exactly do. On the other hand, given the amount of time it takes to produce a short story (especially on spec, where it can take anywhere from 2 months to 10 years to sell), I’m better off working on the longer works. For whatever reason, I find that the older short stories in my portfolio are the ones who sell.

So it is a puzzlement at times. Short stories earn me visibility and a shot at higher recognition. But they require a lot of energy, attention, sweat, and blood for me to make them work. Really, I need to write them, then shove them in a closet to marinate and mature before I send them out. I can’t count on them to be easily saleable, especially when writing a spec story instead of a solicited story.

Novels, on the other hand, are a lovely unfolding of a story, a pleasant ramble through the tale (even when I’m trudging through the midpoint of the novel). I can get them written, put them aside for a few weeks, then spend another month in revisions which creates a clean usable draft for editing purposes. It takes me about six months to turn out a decent 90,000-100,000 word novel from rough draft to final independent publication. But given the realities of today’s novel market, I’m better off marketing them directly to the reader (which requires production, cover work, editing work, and a lot more effort) rather than to publishers.

That said, one reason I’m working on two stories at once right now is that I am crafting one novel to send out to small and mid-level publishers. It’s a high-concept idea that has a nice little tagline and quick elevator pitch, and it might just be quirky enough to fit the demands of today’s market–or not, depending on what Marketing thinks. There’s only one way to find out, though, and that’s to send it out. I’m not planning to hit the Big Five with this one because I don’t feel like wasting my time waiting for it to take two to five years to work its way through the slush pile. But I would like to find a decent mid-to-small press where I could market some of the quirky standalone ideas I have.

The series stories? Not ready to market those elsewhere yet, especially since I want the freedom to be able to sell related short stories and the like. But the quirky standalone books? Oh yeah, if I could find a market for those…that would be a different tale.

So we shall see where this takes me.

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Lots of stuff going on….

As usual, June is flying by. Between MisCon and 4th of July, it always seems like I’m flying around getting things wrapped up for the end of the school year and then jumping into summer stuff. It’s no different now that I’m working online instead of in a classroom. OTOH, I’m less tired from working online, so that’s a win.

The late spring meant we’ve been dragging on getting the garden running and getting in the wood. But at last, we got the garden finished off in early June and it is happily growing at our friend S’s place in Clatskanie. This past week in Enterprise, we did get two loads of wood hauled, plus horse show stuff…

But there’s so much to blog about and I keep putting it off because, well, who wants to spam the linkage? I’m thinking now that I need to write some things but just not publish them. The alternative is not blogging at all…and I am discovering that I really don’t like that option, either.

So yeah. Time to start writing blog posts and timing them. I will post one soon talking about the two short pieces I have available on preorder right now. I also want to post about politics, because I’m contemplating a few things. I also want to write and post something about a few things I’ve been considering about writing process that has solidified to some extent by now. And then I also want to blog about the horse.

Meanwhile, I’m putting this one up. Hopefully we’ll see a flurry of posting soon.

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The two covers of Netwalking Space are now one

It wasn’t my intention to have two covers for Netwalking Space. But what happened was that I’d contacted my original cover artist, who had done the work on Netwalk: Expanded Edition and Netwalker Uprising to see if he could do this last cover. Which he did–the cover on the right side, with the title on the bottom.

It’s a gorgeous cover, and there’s nothing wrong with it–but. But! When I went to repackage it for the CreateSpace cover, nothing I did worked. I tried and tried, but I couldn’t get it to fit to CreateSpace specs. And he is busy at a day job, so…I turned to the designer of my fantasy series covers to have her do the paperback version. I decided to leave the ebook cover as is, and see if it sold.

Nothing.

So nothing was lost by switching the cover for the ebooks to match the paperback.

I think I’m going to eventually switch covers on the others, starting with the failed lousy cover I did for Netwalk’s Children. I do need to get to work on compiling the collection of the Bess and Alex novelettes (Tranquility Freeriders, Too High to Fall, and Of Archangels and Fuzzy Green Mascots). But this step is done.

We’ll see if it sells better now.

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A winter Fishtrap night

Originally, I wasn’t going to be in Enterprise for tonight’s Fishtrap Fireside readings. The plan was to go to Portland on Thursday so that we could take care of some business stuff, go to a party on Mt. Hood on Saturday, collect more veggies from the garden in Clatskanie, see the doctor, then go back up to Enterprise for a week or so, weather depending.

Yeah, well, that was a Winter Plan. Winter Plans are travel plans you make where you allow for the contingency of weather. While we’ve done this in the past during our Portland life, adjusting visits to family and friends based on weather issues, it’s a whole different thing when the trip is 350 miles one way. We’ve done our share of “to hell with the weather, we’re GOING” drives for whatever reasons. Obviously, we survived such epic endeavors as the drive from Eugene to Enterprise after our wedding, where we ran into freezing rain at Rooster Rock and snow by Cascade Locks. That was a 9 hour drive that turned into a 12 hour drive, with snow and ice all the way from Rooster Rock to Enterprise.

Or the Christmas trip to visit friends in LA via Reno and Death Valley. On the first day we raced a snowstorm dropping out of the northwest. Literally. We were tracking it via radio, sprinting across the Santiam Pass before the snow hit Portland. That storm caught us south of Bend, as we cut across to Lakeview. The first winds and snow hit us on an exposed ridge. We outran it to Silver Lake, and then to Summer Lake. But as I looked across the playa I could see the dark blues and whites of the oncoming storm. At that point, our path turned sharply south and we outran the storm.

It caught us in Reno. We had reservations for the cheaper hotel at Furnace Creek in Death Valley. Despite the young son, we were young and confident. We went for it.

I still remember the bleakness of Goldfield, where we almost lost the road in the blizzard’s blue-gray light, and the only motels were ten miles behind us in Tonopah, with the snow getting worse and possibly not allowing us to get there. I remember the incongruity of the snow-covered Joshua tree as we turned that sharp corner in Goldfield, and kept on going with the hope that sooner or later we’d be far enough south to get out of the snow. At last, we finally outran the storm again, and made it to Furnace Creek. The rest of the trip wasn’t quite so eventful, but those two days across the desert have shaped at least one story I’ve written.

But yeah. I’ve done my share of these drives. These days, it’s worth the effort to outwait the weather.

So tonight was the monthly Fishtrap Fireside reading. There was at least one writer whose work I’m familiar with, a cowboy who writes occasional humorous columns about ranching and farming for the local paper. I like his work, and had been regretful that our original plans would cause me to miss this night’s Fireside. Between the Portland weather and the steady fall of snow here, it was clear early on that we weren’t going anywhere. I pulled on my snow gear about 6:45 and headed off through the snowstorm (four inches right now) to the Fishtrap House three blocks away, appreciating the new light displays in the neighborhood.

This Fishtrap Fireside reading series focuses on local writers, pretty much for locals. The series runs from October through April and in the last two years I’ve been attending regularly, attendance has been growing. Three readers are featured, and then there’s an open mic session with openings for four more to sign up. It’s possible to hear all sorts of writing in this series, from prosaic informational nonfiction to humor to poetry to spiritual to memoir to fiction…it’s a diverse selection with the one common element being that all participants need to have a local tie. After listening to the readers over this time, I’ve got to repeat what someone said to me during the Jingle through Joseph bazaar–“there’s a lot of creative people around here.” Yes, there are–artists and writers and musicians. I haven’t even begun to delve into the depths of the local music scene. But that’s a different subject.

The turnout wasn’t as big as it’s been at other sessions this fall, but pretty good for a night where the snow is falling hard. Several people wondered aloud if they were going to be able to get home. Another attendee had cross-country skied from Joseph to Enterprise. I ran into someone from last week’s bazaar, which led to an introduction to another writer, and in further discussions, yet another writer, both of whom might be interested in getting together to write.

The readings went well. Besides the cowboy, a poet with Australian origins read a piece about the meaning of home, and another poet read about her grandmother, who had worked at a nearby lumber mill, and inspired her as she worked at the lumber mill then went to college. The cowboy read a tale about one of those crazy cowboy antics that kinda tends to happen sometimes. The open mic readers read poems and a memoir about driving cross-country in 1977 (and a lot more than that). We chatted a bit after, then all of us headed home, some by car, others by foot or by ski. I savored my walk home through four inches of fluffy snow, looking at holiday lights and enjoying how the snow brightens the winter night.

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Lostine River drive

After a tumultuous last few weeks, we took some time away to cruise up the Lostine River into the Eagle Cap Wilderness. I’ve been wanting to go up there for some time, and it’s close enough for a short afternoon drive. So DH and I took off about 1:30 and headed up the river. We hadn’t gone far before we spotted a small herd of elk. No bulls except for a single spike.

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Then we gained altitude, until we reached the Lostine River Canyon overlook.

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We drove almost to the end of the road, deciding that we need to come back during other seasons to learn more about this part of Wallowa County.

On our way back, we checked out a state wildlife refuge. It’s a winter feeding ground for deer and mountain sheep. We parked and hiked up a road to gain some stunning views.

 

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And while we didn’t see any mountain sheep, we saw four deer, including this guy.

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A nice day all around, especially since I’ve finished up edits on Netwalking Space.

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The snark is strong with this one

Not sure how I feel about what I wrote today. Feels a little bit like jumping the shark.

*************

Melanie triggered a Netwalk system-wide alert even as she raised her defenses.

<Entities of Third Planet, 3!G Star, 7!N2* Sector.> A picture of the Earth-Moon system with the sun behind it popped up. <This is The Nest. Prepare to meet your glorious destiny. Convert to the Wisdom of the Deep Mechanicals and join Our Nest in the stars.> An image of the Milky Way galaxy replaced the Earth-Moon system. <Release our flawed segment and compensate us for the services it has rendered to you so far.> An image of the Gizmo came next. <Failure to convert, release our flawed segment, and provide adequate compensation will result in unpleasant consequences.> Images of explosions, volcanic eruptions, and tsunamis followed. <We hope you will come to a wise decision. Have a pleasant day, may your data always flow smoothly, and cherish your nest always.>

Pictures and the voice faded from virtual. Melanie tightened the jaw she’d dropped while listening to the Nest.

“What—was—that?” she finally forced out.

“I—it’s authentic, Melanie,” Will said.

“The Nest? With that cheesy—“ she gestured with both hands—“demand letter? Or are they just crappy missionaries? Pay us compensation? For what? Netwalk?”

“It sure as hell sounds like a crappy twentieth century scifi movie,” Andrew said. “If I hadn’t seen it in virtual, though, I’d not believe it.”

“Pretty damn presumptuous,” Paul said. “Convert and join. Doesn’t exactly sound voluntary to me.”

“Unless someone’s pulling one king-hell of a prank on the whole system,” Melanie said. “I mean—“ She shook her head. “Join us or die? Pay us compensation? Release their failed segment?”

“That’s a key right there,” Will said. “The gadget didn’t do what it was supposed to do. Or something. But they want it back.”

“Shit.” Melanie slumped against her chair. “You know damn good and well that the Courts will happily give the damn thing back to them without an argument. But compensation and conversion? That sounds worse.”

“If they take the gadget back they’ll get the Shadow Chamber with it,” Will said. “Is that something we want to see happen?”

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Today’s snippet

Almost at 48k today….and things are getting crazy.

*******

<Save him, damn it!> She couldn’t do anything until she got this damn piece of junk landed, and right now they were headed for a rock field. She had no thruster power, and the yoke wasn’t working well. Emergency landing procedure. Bess clicked on the airbags. They inflated with a jerk. She gave up on the yoke and secured her helmet, then turned to Alex, writhing under his seat restraints. To her relief, he had managed to secure his helmet. She grabbed it to make him face her, wincing as he kept screaming, his eyes wide and nearly popping out.

“WE’RE GOING DOWN!” she yelled. “BRACE! EMERGENCY LANDING PROCEDURE!”

Despite it all, he nodded. She tried to guide him toward a safe crash position, but his limbs resisted.

<Damn it, Sarah, DO SOMETHING.>

<Can’t…Blocked…>

Bright white lunar surface coming up fast. One of them had to be alert upon landing. One of them had to function. Bess braced herself. The shuttle struck, then bounced high, flipping over. She lost track of the number of times they rolled. At last they lay still.

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Bearing down on 45k…another Netwalking Space snippet

So I hope to break 45k on Netwalking Space today, despite a lot of busy stuff going on. Should be easy since it’s only 500 words away…and then I aim for 50k before the end of the week. Hopefully maybe even get close to my goal of reaching 60k by the end of the month…we shall see, we shall see…

Meanwhile, here’s another 2nd person POV from Diana…where things are not what they seem.

************

And yet the voices don’t seem to swamp one cool, calm sector of clarity in your mind. You take a closer look at the datathread whispering those awful things. It’s from the Shadow Chamber.

<Enjoying yourself?> This virtual voice is stronger than it has been. It’s oddly familiar, but you want to hide the clear-thinking part of you from it. Something about that particular voice makes you worried.

<I have no idea what’s happened or where I am.>

<Good,> the voice laughs. Chills run down your body as you suddenly, horrifically, place it.

Parker Landreth. Your evil, twisted, dead father-in-law. War profiteer who sent his own son out to be captured and tortured because he chose a relationship with you. Murderer of your father. You recognize his tones in that voice that has been screaming in your head about the evils of Netwalk. How the hell did he get into Netwalk? He never survived to be a Netwalker, and the traces of him that were present in the bloodbonding that Will incorporated into Do It Right technology shouldn’t have been enough for him to create a complete Netwalk personality.

<What are you doing here?> you ask, dread oozing through what you can feel of your body.

Parker’s head takes shape in your mind’s eye, fiendishly grinning. <Payback, my dearest daughter-in-law. Payback. Victory over you and your mother. Revenge on a son who was unfaithful to his father.>

<What are you planning?> And is there some way you can get a warning out to Sarah, or Melanie, or Bess? Or Will. Oh God, Will. Your father. What kind of threat is he to you? What can he do to you in virtual?

<Ah, ah, ah. That would be telling. And if there’s anything I am not, it’s one of those people who dialogues on forever about their Secret Plans.> Parker’s head arches a brow at you. <You’ll just have to find out what my plans are when I make you fulfill them.>

<I won’t do what you want. You can’t make me.>

Pain throbs through your body, then fades.

<Oh yes you will do what I tell you to do,> Parker says. <Oh yes, you will.>

More pain washes through your body, until a welcome cloud of darkness blots it out.

But still, before your consciousness fades, you vow to yourself. I’ll find a way to stop you, Parker Landreth.

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Not a Netwalking Space post…well, except for maybe the last paragraph

IMG_2109Actually, there has been other stuff going on this summer besides The Novel. We are painting house exteriors in Portland and in Enterprise; I’m helping with the big Portland project (ahem, when the temps and word count allow) while hubby is pretty much doing Enterprise on his own. Considering the Portland exterior is twice the size of the Enterprise exterior, well, that makes sense.

But more is going on other than the Novel, Painting, and Preserving/Gardening. Though Preserving/Gardening is a thing, and will be even more so as we progress through August into November.

Part of what is going on is that the prescription for Mocha this summer is lots and lots of road riding. Once I got her past the half-mile hangup in hacking out, we’ve been able to do a lot of exploring on the local gravel and blacktop roads. We’ve got the hoof issues under control, however the other piece is that she is still going through muscle adaptation to new hoof angles. That means a few consults with the equine bodyworker, and a lot of hacking out at a walk with occasional trots. When we’re not in Enterprise, she’s been going out to pasture with other horses. It’s clear she likes that part of the new regime. The Stall Princess is now a Pasture Queen. Granted, that has nothing to do with her status in the herd, which is toward the bottom.

When I’m in Enterprise, though, we’re hitting the roads. It’s an easy three-quarter mile to the gravel road that gives us access to some interesting loops. I can do a three, four, five, or seven mile road ride at (mostly) a walk with gentle hills. Most of the ride is by ag land, with occasional house clusters. We pass by entire sections of alfalfa, wheat, various hay mixes, canola, peas, and flax as well as grazing land for cattle herds and some horses on our different routes. There’s lots of whitetail deer and a fewer number of mule deer. One three-sided garage seems to be an attractive midday nap site for muley bucks; I’ve seen a four point and a forked horn lounging in that outbuilding.

Along with the crops are the wildlife. We spot feral cats bounding through the cultivated grasslands, shy and wary enough to survive coyotes, eagles, and other predators. I’ve lost track of how many California Quail coveys we spot on a daily basis. I know one covey has barely-fledged young (clearly a second hatch) while a covey that shares the same area has fledged young capable of short flight. But there’s still another covey with young that except for size look adult. Occasionally we encounter a China ringneck pheasant; fortunately, none have exploded out from under our feet. We’ve seen marmots, raptors from kestrels to eagles in size, ruffed grouse, and a distant coyote. And deer. Lots of deer. Last night, we encountered twin whitetail fawns hanging around the road. Big spotty fawns, no sign of mama. They didn’t take off until Mocha picked up a pricked-ear trot to check them out, and then they crashed through the canola fields, white tails flagging back and forth as they disappeared between leaps.

My horseback time is useful for learning the difference between whitetail and mule deer behavior. Muleys tend to freeze and look. Whitetails look, then run with their tails wagging and flashing high. If you hold, then the muley holds. The whitetail just plain takes off. They tend to run more blindly and their flight path follows predictable patterns–often right in front of us. If I were hunting whitetails, I think I can now predict the flight line they’ll take, because the terrain definitely seems to affect how they flee.

Deer don’t seem to faze Mocha. The closest incident we had was when the four point muley buck blew out of that garage almost on top of us. But even then it was a jump and freeze reaction on her part. She’s the steadiest road horse I’ve been on, in the sense that I have more confidence in her response to me than I ever did with Sparkle. Sparkle was a decent road horse, but she had an unpredictable bronc element that Mocha lacks. If things get really crazy with Mocha, I can dismount, walk a ways with her, then get back on and be confident she’s okay. Couldn’t do that with Sparkle. A definite difference in breeding and training, for sure. That said, I ride out with four reins on Mocha. Just a bit of power steering and power brakes, you might say. Most of the time, we’re marching along on the buckle. It’s those other moments when I need that little reminder. Sparkle was a bronc who might choose to react by bucking or rearing. Mocha is flat out reactive and possesses a bit of sting. But her reactivity is easily managed and that sting can be defused. She’s hotter than Sparkle ever dreamed of being but she has a lot more sense. However, both mares enjoy and enjoyed hacking out. The big difference is that Mocha might startle and maybe take a couple running strides, but Sparkle would run with a few bucks.

So this summer I’m throwing back to my childhood in the Mohawk Valley riding the small handful of gravel roads available to me from my parents’ place, only I have many more options. Plus the view on Alder Slope beats anything in the Mohawk hands down. I can look to the north and see the plateau country transitioning into the canyon country, or look to the east and see more plateau country leading to more canyon country and the Seven Devils. South, of course, are the Wallowas, especially Ruby Peak, Hurricane Creek, Chief Joseph, and Mt. Howard. Nothing like riding along on a good saddle mare with a big walk.

At the same time I’m pounding away on Netwalking Space. I passed the 30k mark today and I’m on target for getting dang close to 60K by September 1st if I can sustain this pace. It’s not the killer pace of Nano–I’m trying to average about 2500 words a day, every day, without doing the brutal 5k and 6500 word days I did during Nano. The highest word count day I have so far is 3500 words and I have a few 3100 days under my belt. I am going to be traveling a little bit in forthcoming days so I need to have a few overage days to hit my average. The other, good thing is that while the plot matrix has now become “plan? what plan? we don’t need no stinkin’ writing plans” to some extent, it still gives me enough guidance to provide some chapter outline work to give me a guide to where I’m going now. The other piece is that I think this story is going to come in at around 70k-80k words. I could be wrong, but we’ll see. I’ve hit some points at 30k that I thought would come later…on the other hand, I have two more big plot punches I can throw. So we’ll see what happens.

There you have it–a recent update that isn’t all Netwalking Space.

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